Storytelling techniques: how can an author manipulate time? - powerful author (2023)

FAQs

How do authors manipulate readers? ›

It's the author's job to manipulate readers, to urge them to feel a certain way: get their pulse racing when the characters are in a crisis – done through short, direct sentences to quicken the pace of the text; to calm them when our heroes finally reach safety – longer, more detailed sentences; and to mislead readers ...

Common techniques relevant to style, or the language chosen to tell a story, include metaphors, similes, personification, imagery, hyperbole, and alliteration. Techniques relevant to plot, which are the sequence of events that make up a narrative, include backstory,flashback, flash-forward, and foreshadowing.

Time manipulation, or timeline alteration, is the concept of altering past events in such a way that it significantly affects the present or future. For example, in the classic Ray Bradbury story A Sound of Thunder, characters travel back in time to the prehistoric era.

Think about a fighting scene between the hero and villain in an action movie. Just when they are about to fight they slowly and intensely run towards each other. This is a time manipulation technique that builds suspense and anxiety.

Users can control and manipulate time, the indefinite continued progress of existence and events that occur in an apparently irreversible succession from the past, through the present, into the future, in the general area or for a specific target in various ways, with the most basic of acts revolving around ...

One of the easiest ways to control pacing in your story is through the length of your sentences, paragraphs and chapters. In a fight scene, for example, you want to keep things fast-paced and exciting. To achieve this, use short, choppy sentences and shorter paragraphs to keep readers' eyes flying over the words.

Often used to describe in great detail objects/setting/characters, or explore a particular character's emotions/feelings (primarily the narrator in this text) The story events continue but there is no narrative to accompany them. Typically this manifests in 'time skips'.

A writer has the power to manipulate the tone of the novel by choosing what a narrator/character focuses on throughout a specific scene, detailing the character's changing reactions/responses and the choice of words used in dialogue, and including their internal thoughts and actions.

A story needs conflict and resolution; tension and release; mystery and revelation. There should be losses and gains, setbacks and comebacks, peaks and troughs. And, above all, a story should be about people: their dreams and desires; loves and hates; problems and passions.

Why are storytelling techniques important? ›

Storytelling brings language learning alive and creates a participatory and immersive experience that allows Young Learners to enjoy hearing the language in a dynamic, sometimes stylistic and entertaining way. Participation using key vocabulary and phrases can create an awareness of rhythm and structure.

1. Time Trapper. As the name suggests, Time Trapper is the most powerful manipulator of time and entropy. He may not be as powerful as other characters here but when it comes to the power and mastery of manipulating time, no one surpasses him.

We Can't Alter The Flow of Time But, According to Physics, We Can Bend It.

The user can manipulate stories and its characters and how they act, what they can do, etc., the locations and what they look like, and the events of the story as well as how it starts and ends.

Omnikinesis is the ability to mentally control anything and everything that exists, organic or created, existing now or in the future, right down to the molecular level. This is quite possibly the most overwhelming and most powerful ability because it involves everything that tangibly exists without exception.

Summary. Manipulation is a means by which a person is gotten to do something that the person was not initially inclined to do. As such, it is a form of power. Distinguishing it from other forms of power, such as persuasion, coercion, and physical force, is both important and difficult.

To control space-time is to alter the fabrics of reality, allowing one to erase existences and not just the flow of time, but also reorganize, alter and erase historical events.

You can manipulate your story's pacing with the time you spend communicating an idea or describing a scene. Generally speaking, longer, descriptive sentences tend to slow down your writing. Using passive voice is another way to slow things down since passive voice is indirect. Use active voice to speed things up.

The most common techniques have to do with either using short sentences, paragraphs, and scenes to speed things up—or lengthening everything to slow things down.

Which three techniques can an author use to slow down pacing? ›

Manipulation is the skillful handling, controlling or using of something or someone. Whether it's the sculpture you made in art class or how you convinced your friend to do your homework — both are considered manipulation.

Manipulation: a type of influence that aims to change the behavior of others. "Iago calmly and maliciously drives Othello into a blind rage and incites him to kill his wife Desdemona by making Othello believe (falsely) that Desdemona has been unfaithful to him."

Cross-cutting is a technique done during editing, also known as parallel editing. It's applied to manipulate time and space. In other words, it's action happening simultaneously in different spaces. Most often, those spaces are in the same location.

A manipulative character is someone who cleverly manipulates to get what they want. They may lie, cheat, or use other underhanded tactics to achieve their goals. Although manipulative characters can be unlikable, they're often essential to a good story.

What It Means to Manipulate Your Audience. For our purposes, manipulating your reading audience means to mislead them. That is, to let a reader believe that a certain thing is occurring, whereas in actual fact something else is going on.

The manipulation of semantics and syntax, namely the use of emotive language, is seen as an affective means resorted to by text producers to influence the people's acceptance of the truth. Emotional language aims ultimately at persuading the addressee to accept the facts as they are presented by writers.

What Makes A Good Short Story? The four elements necessary for your story structure are character, plot, setting, and tension. Balancing these elements is the first step to making your creative writing amazing.

Basic storytelling structure follows the Rule of Three. Narrative writing splits stories into three to form the basic structure of beginning, middle, and end — sometimes referred to as setup, the confrontation, and the resolution. Screenplays also follow this structure with their three acts.

What are some examples of the power of storytelling? ›

Plot. The plot is the most important part of any story. It defines what story is all about. What the audience will experience.

There are five key elements to every story: plot, setting, characters, point of view, and conflict. Whether your students realize it or not, they naturally include all these elements when they're telling a story to their families or their best fr.

Definition. Storytelling is the vivid description of ideas, beliefs, personal experiences, and life- lessons through stories or narratives that evoke powerful emotions and insights. Advantages.

The Time-Keepers have great power to manipulate temporal energy. They can age entire armies to dust or reverse aging to before the point of life (virtual immortals such as Asgardian gods can resist these effects). They can summon beings from any point in the timestream, sending them to do their bidding.

People who manipulate others attack their mental and emotional sides to get what they want. The person manipulating — called the manipulator — seeks to create an imbalance of power, and take advantage of a victim to get power, control, benefits, and/or privileges at the expense of the victim.

Gravity slows the passage of time

Similar to how the passage of time is changed under special relativity, general relativity predicts that massive objects will also dilate time. The more massive the object, the more noticeable the effect.

There are two main forms of time controls. The first time control type is moves-per-time. In this type a player must complete a specified number of moves within a fixed period of time. The second time control type is called “sudden death”.

So to answer your question, time does not literally "bend". A massive object modifies the proper time interval around it such that an outside observer would see objects near the mass experience less time and spacetime intervals would have their spatial components modified accordingly.

Are there different types of manipulation? ›

There are different types of manipulation. Three of the most common ones are: Guilt induction. The person manipulating you may imply something negative has happened to you because of someone else, or or they may play on your insecurities to make you feel guilty.

Manipulation is when a person uses controlling and harmful behaviors to avoid responsibility, conceal their true intentions, or cause doubt and confusion. Manipulation tactics, such as gaslighting, lying, blaming, criticizing, and shaming, can be incredibly damaging to a person's psychological well-being.

/məˈnɪpjəleɪt/ us. to control or influence something or someone so that you get an advantage, often unfairly or dishonestly: He can manipulate situations mostly to his benefit.

Manipulation tactics are the specific ways that an emotional abuser attacks their victims. These tactics are used to control a person by eroding their self-confidence and cultivating a deep dependence on the abuser that makes leaving the relationship difficult.

Your story needs time markers, so the reader understands the passage of time. Without time indications, readers become confused, stop reading, and turn back to try to establish the time of the current scene. As a writer, you can get caught up in the action and dialogue and forget to add time markers.

Foreshadowing and flashbacks are two literary devices, when used judiciously, can positively affect the pacing of your narrative. Using dialogue is another method to quicken the pace when there isn't much action. It allows the narrator to reveal information which will instigate action.

It is done by adding lots of action scenes or events that happen quickly. For example, in Harry Potter and the Order of the Phoenix, there are several fast paced chapters where Harry needs his friends help him solve a problem or get out of trouble he gets himself into.

Exposition tends to unfold at a slower pace because it must situate the reader and contextualize the plot. Once the protagonist encounters the primary conflict, the plot progresses into the rising action.